Guggenheim
I first discussed commissioning this guitar with Ari during the
Classic American Guitar Show in New York. I had previously purchased
his “Jazz Tango” model, and was impressed by the artistry
and quality of construction. Ari’s guitars have a great sound
and feel, different from the many other luthiers at the show. What
I was looking for was a nylon string guitar with action more like
an archtop, which could be amplified yet retain the beautiful acoustic
sounds of a classic guitar. In addition, I was looking for a new
direction in esthetics. Ari’s Tango guitar was influenced
by the Spanish painter Miro, and I thought that this guitar could
also be influenced by an artist. The designs of architect Frank
Lloyd Wright have always interested me, and I approached Ari with
the possibility of having this guitar reflect some of Wright’s
aesthetic sense. Ari was interested in the concept, and agreed to
take the commission.
As
the project progressed, we communicated with each other on Wright’s
designs. I asked Ari to include a motif present in the skylight
of the Guggenheim Museum in New York. I gave Ari a few other ideas,
but the design of this guitar was his brainchild. I always loved
the highly figured koa wood, and Ari was able to get his hands on
some wonderful Master grade pieces. We discussed amplification options,
but again left it to Ari to use what he thought was best.
The
instrument that resulted from our initial concepts is truly wonderful.
It is a delight to play, and has a soul of its own. When I play
this guitar on a gig, it always gets comments from even those people
who have little knowledge of guitars. Last year, I was playing at
the Washington National Symphony Showhouse fundraiser. This event
is put on every year to raise funds for the Symphony, and a large
house (mansion) is totally redecorated by designers, and tours are
given. Thousands of people come through, and music is always a part
of the event. I had so many people stop and talk to me about the
guitar (hard to do while playing!) because it is so beautiful and
unusual looking.
I
am grateful to Ari for his attention to detail and dedication to
his art. Also, I was happy that he agreed to take a chance on a
different kind of project. I truly believe his skills coupled with
his artistic sense makes Ari unique in today’s arena of luthiers.
Salvatorre
(Sal) Selvaggio
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